Wednesday, June 24, 2009
Miyazaki And Zombies and Scooby, Oh My!
Lots of geek stuff bouncing around my head today. Probably because I got to talk to Swinebread for a while yesterday and that always gets me thinking about this stuff.
The English language version of the trailer of Hayao Miyazaki's new film Ponyo surfaced yesterday. I had the pleasure of springing on my Miyazaki nut daughter leading to her watching the thing at least five times.
In the course of reading up on that flick she saw the rumor that Miyazaki may be making a rare public appearance at Comicon. Now I have her working on me to take a trip to San Diego. Sigh.
Even though I'm a fan of the Marvel Zombies (the first books were works of sick genius in my opinion) the stories have really petered out, predictably as the zombies got "cuddly." With that in mind the announcement that Marvel was bringing on some heavy duty zombie writers for the next iteration of the series raised my interest.
In particular David Wellington's "Monster" series of zombie books were all sorts of scary, so I can't wait to see what he does with the zombified Marvel heroes.
Even though I'm late to this party I have to say that Left 4 Dead is one of the best shooters I've ever played. I got the thing for Father's Day and it's bloody awesome. There's not a lot to the game other than trying to survive zombie attacks while you work your way through a city/ sewers/ base but what it does, it does really well.
Thanks to the library we're working our way through almost every animated version of Batman they have on hand. In the last week we've watched "Batman: Gotham Knight," "Batman: The Brave and the Bold Season One" and "Scooby Doo Meets Batman." Not surprisingly my kid's favorite was that last title. Even though they're older they do love them some Scooby.
I finished reading Brian K. Vaughan's "Pride of Baghdad" last week and you'll have to color me unimpressed. It's disappointing because I loved the concept of pride of lions escaping an Iraqi zoo during the initial U.S. attack in 2002.
I enjoyed the symbolism, heavy-handed as it might be but couldn't by into one of the book's central conceipts- Vaughan and his artist Niko Henrichon specifically riff off of the animation of Disney and the Disney practice of animorphism. Essentially they draw the lions very Disneyesque but then involve the characters in very adult situations. Call me a prude if you will but I found this off-putting.