
I've always thought the best westerns had helicopters as part of the plot.
-Swinebread


The interesting thing about comics, and why comics were early to be a source of economic and social power for young people was because they were affordable. I mention this in the book, but these were things that were made by young people, for young people, marketed directly to young people and priced for young people. And they’re the only work of expression, of art, that qualified as such. Kids could buy candy bars … but not much else, for a dime. There were no other forms of art or creative expression within their reach….
Comics and the late,’40s and ’50s were more popular than any form of popular entertainment. The way to fully absorb the power that comics had was to understand not just the reach, which was extraordinary, which was huge, but also that the content of those comics and the point of view of those comics and the sensibility of those comics was so radically different from that of anything else that young people can see. If kids are going to the movies, they’re not seeing anything like this in the movies. Movies were geared toward families. There was nothing like this.

Filmed gorgeously in and around Cape Town, this Canadian-South African co-production (2005, 20 episodes, plus one "recap" episode) centers on the adventures of the eponymous Charlie (Jeffrey Pierce), a private detective who, in the course of investigating a mysterious girl’s murder, gets catapulted into an alternative universe. Our universe. There he must unravel the machinations of the nefarious megacorporation, Vexcor, before... well, to say any more would spoil the surprise.From Here
Charlie Jade breathes new life into the standard SF trope of the parallel universe. The show moves among three “present-day” universes: the Alphaverse, Betaverse, and Gammaverse. You won’t find Spock-with-a-Beard here; in fact, very few characters have alter egos. This—to invoke Spock again—is logical: given different life circumstances, most people’s parents wouldn’t have gotten together. Charlie comes from the Alphaverse, a Blade Runner-esque dystopia where Vexcor rules a totalitarian state of near-universal surveillance and corporate corruption. But Vexcor has a problem: the Alphaverse is running out of natural resources. Luckily for Vexcor, it has developed a universe-hopping technology that will allow the company to plunder the Gammaverse, a seeming utopian idyll of ecologically sustainable living. To reach the Gammaverse, however, Vexcor’s machine must punch a line through the Betaverse, our universe. And when Gammaverse terrorists blow up the Vexcor’s Gammaverse base, Charlie finds himself caught in the shock wave and stuck in Beta.



In all of Guillermo’s movies, the monsters are the ones who are the most human and the humans are the ones who are the most monstrous. He’s been playing in that world ever since he made his first film and that’s a theme that fascinates him for all the right reasons. And even if you don’t see it necessarily on the surface of the entertainment he is giving you, it’s there and this is why you are so stirred when watching his films for reasons that you can’t even really articulate. There’s so much there that he’s grappling with.See full article here

Set 50 years before the events of Battlestar Galactica, Caprica follows two rival families--the Greystones and the Adamas --as they grow, compete and thrive in the vibrant world of the 12 Colonies. Enmeshed in the burgeoning technology of artificial intelligence and robotics that will eventually lead to the creation of the Cylons, the two houses go toe to toe.From here
“I'm thrilled with the chance to expand on the Galactica world and get deeper into the origins of the story we've been telling," Moore said in a statement. "It's also great to have a chance at doing a completely different kind of science fiction series, one that's even more character-oriented and doesn't rely on pyrotechnics to carry the story."
(David) Howe says Sci Fi didn't treat the iconic character of Flash Gordon with enough care. In a few years, he says, the network may take it up again, with a fresh take and a bigger budget.From here


The writing duo, best known for their work on the "Pirates of the Caribbean" films, are in final negotiations to write a live-action big-screen adaptation of "The Lone Ranger" for Disney and producer Jerry Bruckheimer.From Here
The project will be made by Disney and Jerry Bruckheimer Films in association with Entertainment Rights.