Brett Warnock Talks About the Top Shelf Name

Here's small part of my interview with Brett Warnock that didn't make it into my Portland Comics Documentary. Brett talks about the Top Shelf Comics name and how that name is perceived in the UK.




-Swinebread

Portland Comics Part 5

image by Michael Russell

In Part 5 we get a taste of the DYI/zine scene in Portland Via the IPRC and we learn little about Excalibur Comics




Oh and here's the credits... there might be a small surprise at the end if you wait around for it.




-Swinebread

Portland Comics Part 3

In part three we are introduced to Brett Warnock of Top Shelf Comics and we learn a thing our two about Craig Thompson's Blankets.




-Swinebread

Portland Comics Part 1

This is part one of a short documentary about the comic book scene in Portland Oregon.

It was made in 2005 and shown at the 2nd annual Stumptown Comics Fest.




on Youtube you can watch it in High Quality


-Swinebread

Comic Books Get Some Local Cred

Last Week, the day after my son was born, I noticed a front-page article in the Oregonian about Portland comic books. I didn’t have the time to read it then but I finally got back to it this week via Oregonlive.com. This paper has done several stories about the local comics scene but finally they put it right there on the front-page, for all to see. I’ve been waiting for this kind of nod to the importance that comics play in the makeup of the city of Portland. Of course, it’s not technically about comics, the article is really about comics being adapted into films that make big bucks but it’s a step in the right direction. I guess with Comic Con coming down the pike the folks at the Oregonian wanted to highlight the local contribution.

Here’s an excerpt:

Portland's thriving community of comics creators and publishers -- including Dark Horse Comics, Oni Press and Top Shelf Productions -- is playing a major role in feeding the silver screen's voracious appetite.

"Portland," says Eric Gitter, Oni Press' L.A.-based producing partner, "is the Hollywood of comic books."

The week before Batman and the Joker commandeered the nation's cineplexes, the No. 1 movie in the country was "Hellboy II: The Golden Army," adapted from the comics series published by Milwaukie-based Dark Horse Comics. Although it fell from its perch in the "Dark Knight" onslaught, even a brief stay on top can do wonders for your visibility, Dark Horse founder Mike Richardson says.

"My phone's been ringing," Richardson says. "Lots of people have been calling and saying, 'Congratulations! Oh, and by the way, I have a project . . .' "

Although publishers won't reveal exactly how much money such Hollywood deals add to their revenue stream, Richardson says the movie connection may account for Dark Horse's sales records for three consecutive years. "We're heading for another record this year, despite the economy," Richardson says. Dark Horse Entertainment has offices at Universal Studios and Sunset Gower Studios in Los Angeles and is developing a slate of productions.

Portland's Oni Press, with several projects in development, has added staff. "We're at seven people now in Portland and two in L.A.," Oni Press co-founder Joe Nozemack says.

Local comics publishers aren't necessarily driving Jaguars and rolling in dough, Nozemack says. "You're not looking at serious amounts of money until the films are actually made. But the money that creators get for option rights gives them the freedom to do their own thing rather than working on somebody else's characters."

The whole article here

-Swinebread

Emerald City Comic Con part two

A mistake on my part was not attending more panels. I paid my 20 bucks to get into ECCC and I didn’t really take advantage of it. I guess I was a little too focused on getting creators signatures. The only panel I attended was DC Nation. I really wanted to hear what Dan Didio, Executive Editor of DC Comics, sounded like. He’s supposed to be the guy that’s ruining their whole line of characters right? ☺

It was actually quite a weird experience for me if the truth were told. I’d never attended anything like this. Being in a large room where the minutia of a fictional universe is being discussed was just odd. I realized I had no idea what was going on for the most part with the DC Universe. Not a surprise as I’m not reading most of their stuff. Maybe I was also taken aback at being out geeked by most of the folks there.

As for Dan Didio, I have to say he’s a pretty charismatic guy. He’s certainly knows how smooze a crowd and he has impeccable comic timing. His timing is so good I actually think he’d make a good standup comedian or actor. So maybe I was somewhat lost during the DC Nation Panel and haven’t agreed with many of his editorial decisions but he sure made the hour spent in the room quite fun.

CBR has an excellent rundown of the event here.

If you notice this section:

Didio’s next threw out a question to the audience: “How many people picked up €DC Universe’ #0.” While 90% of the room held their hands high, Didio playfully shot back with, “Why isn’t every hand raised?”

When a fan jokingly said that he didn’t purchase the issue because it didn’t have Ambush Bug in it, Didio pointed out that Stephane Roux just completed the latest “anti-inspirational” ad which will feature the character. He said it’s an image of Ambush Bug with the word “Unvictorious” underneath it, which seemed to please the audience.

That fan was me. That’s right. I’m a huge Ambush Bug groupie, so why not get this panel discussion off and rolling with the bug. I always assumed that the DC folks, including Dan, hated the character, so why not have a little playful sniping. What was funny was that Ambush Bug got mentioned several times throughout the event. So much so, that Dan stipulated that the last question could not be about Ambush Bug. I even got up at one point and asked couple of questions just so I could mention Ambush Bug again. The first question was just something so I could sound normal but the second question was “any chance of a Jonah Hex / Ambush bug crossover?” Dan seemed to get frustrated and cried “who would want to see that?!” Kurt Busick said maybe it could be Ambush Bug’s ancestor Bush-wacked. Heh, heh.heh It would be funny though as some sort of Joke I suppose. Hey Keith Giffen You listening?


Dan went into he audience several time to coach questioners to great humorous affect. This is the gal that asked about titles for new readers because most of DC's titles are too continuity heavy and confusing.

Heidi and James Meeley

I met up with Heidi and James Meeley from Comics Fairplay at the space goat booth. We had a great conversation about many aspects of comics and blogging. Our chat was one of the most fun things I did that whole day. Now that I know they like a good microbrew, I can’t wait for an enjoyable pub conversation between us. They said they were going to try to make it to Portland for the next Free Comic Book Day. Maybe they can take a trip sooner, but either way it will be fun to have them visit the city of roses and talk comics. They also introduced me to Laura “Teagan” Gjovaag of Bloggity-Blog-Blog-Blog. She was really nice and inquired if I was an Aquaman fan since she was. I didn’t have the heart to tell her I’m more of a Sub-Mariner kinda guy. Being really angry and kicking Nazi butt is more of my thing. Oh and the pointy ears too. Gotta’ love them pointer ears.

Michael Alan Nelson

I swung by the Boom Studios booth and said hi to Michael Alan Nelson. He’s the guy that’s been writing most of the Cthulhu Comics. I told him how much a mythos horror title was needed and that Fall of Cthulhu and Cthulhu Tales fit the bill perfectly. As you can see he’s got a Mohawk now. Michael was such a straight looking guy before; the knowledge of the outer void must be affecting his mind.

Jeffery Brown

Here’s Jeffery Brown. He’s signing my copy of Big Head. Jeffrey is most known for his autobiographical comics but Big Head was a nice departure. It’s a title that’s made deceptively simplistic looking. I think it’s great because it captures the magic and imagination of childhood while at the same time expressing the angst of adulthood. Plus, it’s really funny too. I recommend it to readers whose habits cross back and forth between mainstream and indy comics.

-Swinebread

Stumptown Comics Fest '08

The Stumptown Comics Fest has come and gone again and boy it sure did seem like it came faster this time… oh wait, it did! It’s only been seven months since the last one. I think they made the right decision in moving it to the spring though. It really seemed to click this year including the weather. The attendance was much higher and there was an additional space for even more panel discussions. The fest was finally on the cultural radar and I think it will stay that way.

One of the things that really struck me about Stumptown this time around is that the fest actually seems like a nice break for the comic creators. The relaxed atmosphere makes it like a big party at a friend’s house. I’ve been to other conventions and there’s always this tension from the creators, like it’s very stressful to be there. But Stumptown, as a creator focused venue, really allows the folks to let their hair down and just be. A lot of it has to do with the fact most of the people attending are really part of the comics world in some fashion rather than rabid fans. Also, there’s no media overload from the movie and TV guys. It’s all about the comics at the SCF. Although I did see two guys wearing costumes… but I think they realized that this was the wrong place for cosplay and Star Wars dress up. One of the down sides to the relaxed atmosphere was that many of the creators didn’t feel the need to spend a lot of time at their tables and so I was unable to get a bunch of my books autographed, but no biggie.

In this shot you can get and idea how busy it was at the show. See how the black tablecloth is pulled out on the left side there? That’s because some guy got his foot tangled up in it right before I took this picture. You can see the gal look over with surprise on her face because all her books almost got yanked off the table.

Oh and another great thing about the show was that there was a lot of women attending. There might even have been more women than men! A moment that really stood out for me occurred when I was returning to my saved seat just before Scott McCloud’s talk was about to start and I noticed a very attractive Asian gal (about 20 years old) with a copy of Scott’s Understanding Comics on her lap. I was so stunned I caught myself looking too long. That’s when I thought, “wow, I think we’ve finally kicked the whole only geeks and weirdoes read comics thing.”

Craig Thompson
The first thing I did was to attend a talk given by Craig Thompson. He kept it real informal and just answered questions rather than have any kind of directed lecture. He was all over the place. Some of the things he spoke about included:

He’s parents didn’t react very well to Blankets. Craig’s dad was angry about exposing things about the family that were private and his mother was upset that her son didn’t believe in Christianity anymore.

He had a great time in Morocco. It really influenced his next book Habibi, which he has been working on for the last few years. It’s almost finished. It explores Islamic themes and Arabic Calligraphy.

He felt very comfortable exploring Islam, as his Christian fundamentalist background was similar. He also isn’t worried about any kind of backlash from the Muslim world as he’s exploring the grey areas rather than the taboo areas. He’s more worried about sharks than terrorists.

Despite lots of offers from Hollywood and record companies for design work, Craig has shied away from this type of work despite his 2007 Grammy nomination.

In the early days, Top Shelf was a great company to have publishing his stuff but as Craig grew in popularity and Top Shelf grew in size, they both grew apart and that’s why Pantheon is publishing his next book. (I asked his about his relationship with Top Shelf).

Scott McCloud

Scott McCloud, comic’s de facto philosopher, was the next speaker up and he didn’t disappoint. Like Craig he was all over the place but he was very animated and was joyfully yelling and running around. He was joking the whole time. Some of the things he related:

He’s was amazed because he felt the long shot dream of multiple genres for every taste, mentioned in Reinventing Comics, occurred in the 2000s. He didn’t think it was really going to happen, but it did and he couldn’t be happier. Technology played a big part (the internet) and also Manga. “10 years ago you’d never have seen a teenage girl reading comics.”

He reminded the audience that Portland was special when it comes to comics and that creators, artists and fans don’t have any place more accepting of comic’s culture.

He’s obsessed with matching up Comic creators with musicians. He rattled them off so fast that I can’t remember all of them but Will Eisner is the Duke Ellington of comics, Jack Kirby is the Elvis of Comics and he resigned himself to being the Herby Hancock of comics.

Scott spoke about how the younger folks don’t see the difference between paper comics and on-line comics but some of the older creators see them as separate. He likes online comic strips but he doesn’t like on-line comics unless you can click on the virtual page itself rather than looking for some next button on the webpage. Scott feels that it takes one out of the reading experience.

He halfheartedly defended his argument from Understanding Comics that single panel cartoons like Family Circus and the Far Side weren’t comics (a question asked by the attractive Asian gal I mentioned before). I didn’t completely get his answer but basically it relates back to the term sequential art.

Mike Richardson
The final talk I attended was by Mike Richardson, Dark Horse comics founder, president… and huge F***ing giant (he’s a very tall man). Listening to Mike was great because he’s a manger type and so he had a very liner approach despite the fact that his discussion was off the cuff as well. His mother was in the audience and he acknowledged her as the origin for his love of comics as she always bought them for him. For me, one of the best things about Mike’s talk was that I asked a question and that kept him going for at least 20 minutes. It must have been the question he was looking for. Some things spoke about:

Some of Mike’s friends had an actual intervention with him to keep him from opening up his chain of comic shops because he was going to ruin his life. Similar things happened to him when he was starting Dark Horse Comics.

When he was young, he’d wait outside the 7-11 late at night until no customers were in the store to buy his comics.

He started Dark Horse Comics because of Secret Wars and Teenage Mutant Nina Turtles. His customers at his comic stores complained that they had to buy the awful SW series to make sense of Marvel’s connected continuity. The geek side of me said to myself that he was really taking about Secret Wars II as the 1st Secret Wars was mostly a stand-alone series (like it matters!). TMNT proved that his vision of providing B&W comics cheaply was possible.

His sympathies have always been with the creators. He wanted to start a company where the creators owed what they made. Besides if you make the creator happy then he’ll want to work with you again and again and you’ll both make money together. It’s good EQ to be able to see the future potential, which DC and Marvel don’t seem to have.

Dark Horse was having monetary success with it’s licensed books like Aliens and Predator but the creator owned stuff was not as successful but that changed when they got Frank Miller on board. They got Frank by giving him a sheet that broke down the profits and expenses of their comic business process. Frank was so impressed that he signed up with them the next day. The rest is history.

They had an un-official slogan that “nobody gets more than Frank” as the deal was very beneficial to both parties. When a group came to Mike and wanted even more money than Frank received, he said no. They went off and formed Image.

He always believed that there’s a comic for everybody, it is the distribution that’s a problem. That's why he loves the Internet as it’s vastly increased the type of material DH can publish. It’s also a great way to find new talent, like Nicholas Gurewitch.


Larry Marder
Here’s a shot of Larry Marder (right) sitting next to the CBLDF guy (I forgot his name gulp). I bought one of Larry’s Tales of Beanworld Books. I also asked him what it was like to work at Eclipse Comics as they were my favorite company from the 1980s. He got a little chocked up and said that it was wonderful as he was really close with both Cat Yronwode and Dean Mullaney. It was a sad time for Larry personally when Eclipse collapsed.

Craig Thompson
I stood in line for a while to get my copy of Blankets autographed by Craig Thompson. He had a request to draw a picture on a gal’s typewriter… hah! Only in Portland! If you get something signed by Craig, tell him a short interesting story. That seemed to be his price for an autograph.


Brian Churilla and Jeremy Shepherd
I hadn’t realized that Brian Churilla and Jeremy Shepherd, the creators of The Engineer, were local boys but it was a nice surprise. It told ‘em I really enjoyed the title as it had a Kirby, Guy Davis feel and that I had just picked it up on the off chance that it might be fun. They mentioned that Mike Mignola was another influence (which the heavy blacks confirm) and thanked me for supporting their comic.

Brandon Seifert and Lukas Ketner
Here is a couple of new guys on the comic block, Brandon Seifert and Lukas Ketner. They’ve got a great new title: Witch Doctor.

It’s a sick world — literally. The universe is an organism, and the creatures of myth and legend are its parasites. Earth’s antibodies — humankind — have been at war with supernature for all of history. But to fight a disease, you don’t need soldiers — you need doctors. Enter Dr. Vincent Morrow. Excommunicated from the medical community and headhunted into an exciting new career in the black arts, he’s here to diagnose earth’s dark underbelly. Morrow serves the world with both hands — one in magic, one in medicine — as earth’s protector. Earth’s WITCH DOCTOR. It’s a sick world — he’s here to treat it.

Great stuff. It’s like Dr. Strange, Tales From the Crypt, Mr. Monster, Lovecraft and Warren comics all in one. Witch Doctor is very imaginative, well written and has art that’s very reminiscent of Bernie Wrightson. I loved it. A fantastic 1st horror effort by the young writing and drawing duo!


Nicholas Gurewitch
As I stood in line to get my autographed copy of The Trail of Colonel Sweeto, a Perry Bible Fellowship collection, by Nicholas Gurewitch, I took a couple of snapshots. After the first one Nicholas said "Hey how about an action shot" so he mugged for the camera while the gal fan played along by exaggerating her body language. This Perry Bible Fellowship stuff is some of the funniest dam strips I’ve ever read. Read for yourself if you don’t believe me.


Tara McPherson
The lovely and wonderful Tara McPherson. If only I hadn’t run out of money as that book was a reasonable 20 bucks. I had her sign issue # 45 of Lucifer.


Scott Allie here. I really enjoyed his Devil’s Footprints title. I wish Dark House was producing a few more comics like his. His buddy, out of the frame, took a picture of me talking a picture of him. Heh heh,

This was just a small part of what was going on at Stumptown. A truly great experience this time around and the ’08 fest has been the best one yet. Comics are cool and booming in Portland and Stumptown is proof of that. It’s wonderful thing to see evolving right in front of my eyes and in my hometown. Incredible!


-Swinebread

Comics For the People

Allison Hallet wrote a great article (see here) for the Portland Mercy about how comics have changed to become accessible for all and some of the reasons why Portland is at the epicenter of comic creation.

It’s a nice primer on the morning of the Stumptown Comics Fest.

Here’s an excerpt.

There has been a distinct cultural shift in the last decade, as graphic novels have gained a wide readership, superhero comics have been mined for both academic and "literary" material (see: Douglas Wolk, Jonathan Lethem, Michael Chabon), and girls weaned on Japanese entertainments like Pokémon have gravitated en masse to manga. Put another way: Even my mom has read Persepolis. Anyone who still has hang-ups about buying comics need only set foot in the casually welcoming Cosmic Monkey Comics or North Portland's sleek Bridge City Comics to dispel all lingering stereotypes about the Comic Book Guy. So by now everyone in Portland knows that, to quote one of the most clichéd newspaper headlines ever, "comics aren't just for kids anymore." (Kapow!) You may not know, however, that local publishers Top Shelf, Oni Press, and Dark Horse have all had a hand in this shift. With April's designation as Comics Month, as Oni Publisher Joe Nozemack puts it, "Finally, the city is paying attention."

The root of Portland's comic book ascendance arguably rests with Dark Horse Comics' Mike Richardson. As Richardson himself says, "I helped bring a huge part of the comics industry here." Dark Horse is both the oldest and the largest of the three local publishers, and many folks in the industry who moved to town to work there have gone on to other projects in the area. The company, which Richardson started in 1986 with a $2,500 credit card, has grown to become the third-largest comics publisher in the United States (behind DC Comics and Marvel). From their Milwaukie headquarters, Dark Horse publishes series like Star Wars and Buffy the Vampire Slayer (the television show was cancelled after seven seasons; season eight is currently running in comic book form), as well as well-known titles like Frank Miller's Sin City and Mike Mignola's Hellboy. They're also the longest-running publisher of manga in the US; Richardson's early embrace of Japanese comics proved prescient, as young women have flocked to manga in droves (pounding a few more nails in the Comic Book Guy's coffin).

-Swinebread

Emerald City Comic Con

I was off on a daytrip to Seattle this last weekend for the Emerald City Comic Con (ECCC). The festivities commenced in Qwest Field (Seahawks Stadium) Event Center south of downtown just off of I5. Having the con in a new building (they blew up the Kingdome a few years ago) really provided a nice atmosphere for the event and the experience was a total contrast to the Portland Comic Book Show. This being its 5th year, it’s my understanding that ECCC keeps improving by leaps and bounds. Since Seattle is a city that people have actually heard of, there was an extensive list of creators, media guests, and exhibitors. Personally, I was just happy that there were enough booths and events to keep me engaged for a few hours making the drive up worth it.
This funny realization came over me as I was strolling through the crowded stalls. See, I was keen on talking to some of the media folks and artists but once I was there, I felt uncomfortable walking up to them when I had no intention to buying their stuff. It just seemed rude. All, I wanted was a moment of their time, but with other much more rabid fans shelling out huge piles of cash for signed pictures and sketches, it seemed pointless. Not that I didn’t have a good time mind you. It was just that I felt like more of an observer, which was surprisingly enough for me. Maybe it’s the filmmaker aspect of my personality. Dunno, I guess going to a con were they actually have a significant amount of famous folks made me really think about it for the first time.
The Boom! Studios booth was one place I didn’t shy away from. These guys are publishing the kinda stuff I wanna’ read. See, I’m kinda burned out on superheroes. Dark Horse, Vertigo and Dynamite Entertainment are wetting my appetite for other genres but its not enough. Boom! on the other hand, burst on the scene about 2 years ago with a concept to serve the fan with a need for alternative genres. They publish supernatural thrillers, adventure, sci-fi, and horror comics. Where others companies dabble, Boom! Studios delivers. Their current claim to fame is Talent, a paranormal comic, which has been optioned for a film. These guys are also publishing Cthulhu comics, so I’m pretty excited about what they have coming down the pike. I picked up Pirate Tales, Cthulhu Tales, Tag and Savage Brothers. The Engima Cypher looks really good too, but I was running low on cash.
I had a great conversation with Ross Richie the publisher of Boom! Studios. He spoke at length about his love for comic books and the need for his company in the market place. At first, he gave his standard pitch about why his company produces the kinda comics they do, but once he realized he was speaking to the converted Ross became much more relaxed. He loves working with guys like Keith Giffen, and pretty, much let’s them do want they want, what as novel idea. I tried to express my appreciation, rather poorly I might add, that finally somebody grasps that we really need more choices in our stories, and that Boom! is really filling that role. Ross understood and said that he knew there were readers like me out there. That’s why he started the company.

It was a pleasant surprise when I realized that Clint Hollingsworth the creator of the web comic, The Wandering Ones was at the con. I really enjoyed meeting Clint and his wife Susie. I like post-apocalyptic stories a lot, so it was wonderful to pick up a copy of the collected strips, as I dislike on-line orders. The Wandering Ones is a wilderness survival story set in 2066 with tribal survivors of a devastating plague hunting, tracking and fighting their way across the Pacific Northwest. The art reminds me of the roleplaying game Aftermath for some reason. I urged them to visit Portland someday if they could fit it in.

Feedback (Matthew Atherton) was there. He was the guy that won Who Wants to Be a Superhero He was by far the most popular media star, as he had a steady stream of fans all day long. Feedback was charging for photos so I had to stand back to get this shot. It was difficult as you can tell because of the crowd.

Here’s a shot of Margo Kidder and Peter Mayhew. One woman started to freak out because she had not realized Peter was at the show, and apparently she’s a big fan. She actually said “I’m gonna freak out!” I got out of the way quickly.

Some of the cast from Farscape made it to ECCC. Lani Tupu (left standing), Wayne Pygram (sitting) and Gigi Edgley (standing with sandwich right). I wish I was a fan of the show then I could have talked them, but alas, I’ve only seen a few random episodes of Farscape so I had nothing to say. Apparently no one else had anything to say either because their booth was pretty quiet. Lani was always on the phone, he must have been arranging his next gig, or making it look like he was arranging his next gig. Gigi was always eating a sandwich every time I walked by. She had a pleading look like “please let my finish this. I’m starving.” Seriously, there is nothing hotter than an attractive woman stuffing food in her mouth. I finally felt bad, so I went up to Wayne and thanked him for coming and told him enjoyed his work. Which is true as Scorpius was the coolest character on that show.

Twomorrows Publishing was there to my joy and regret. Joy because I love their books and magazines, regret because I couldn’t buy all of their wares. I did pick up Modern Masters Volume 07: John Byrne, Modern Masters Volume 08: Walter Simonson, and How To Create Comics.

Here’s some creators that I didn’t stand in line for:
Frank Cho

Brian Michael Bendis
Gene Ha

Here are those Star War guys again!



Here is the Top Shelf booth. Brett Warnock, their publisher, didn't want to be in the picture. See Brett! I didn’t get you in there.


I stopped by the booth of the folks that write the Comics Fairplay blog. We had a fun time chatting. I think they’re on to a great idea in terms of the right way for fans to participate in a con. Thanks for the free comic guys!


All and all I had a great time but before we (Me and my SO) left Seattle, we had to get some chow. The nice thing about the ECCC being at Qwest Center is that the Chinatown-International District is nearby. It’s only a few blocks away and really easy to get to with the pedestrian overpass. My SO hasn’t had any good Japanese ramen in a loooong time, so we finished up our trip by stopping off at a new shop called Samurai Noodle. Well the place was very busy and the food was excellent. So if your hungering for real Japanese ramen, Samurai Noodle is the place to go.

-Swinebread